Written by Kevin Renick Thursday, 06 September 2007 14:23
But the meat of the album comes with tougher tracks like "Balloon Factory," which goes on about the virgin mother being seen on the face of a balloon, while distorted, exuberantly weird vocals breathe fire and deliver a ripping chorus of "Whang-diddly dang dang."
Written by James Nokes Thursday, 06 September 2007 14:19
What began in a Folsom, Calif., garage has taken these three brothers and friend on a journey of textural rhythms that verge on what the band calls ethereal rock 'n' roll.
Written by James Nokes Thursday, 06 September 2007 14:15
Benzos' sophomore album, Branches, attempts to seamlessly blend the ambience and rhythm of early underground dance and experimental electronic music with lush, rock-based guitars and soaring vocals.
Written by James Nokes Thursday, 06 September 2007 14:10
Alina Simone's sophomore release, Placelessness, expands upon the minimalism of her debut EP, Prettier in the Dark, this time with a stronger sensitivity and the addition of sandpaper and a filing cabinet.
Written by Nickolas Blazina Thursday, 06 September 2007 14:02
The band has grown far past the precocious teens of the mid-'90s dubbed "Nirvana in Pajamas" by the mainstream U.S. press.
Written by Jeremy Goldmeier Monday, 03 September 2007 13:58
The biggest detriment to The Else is that it merely settles for being clever, instead of aspiring for that heady ingenuity that has kept TMBG relevant for so long.
Written by Glen Elkins Thursday, 30 August 2007 14:18Fjord Rowboat package a strong, vibrant sound into a collection of indie-rock tunes more along the lines of Doves or Interpol. And they do so impressively.
Written by Tracie Tomlinson Thursday, 30 August 2007 14:07
Colton Holliday sings with such passion and conviction that it's hard not to believe every word he sings. No matter the tone of the song or the subject of the lyrics, he is able to convey its idea.
Written by Laura Hamlett Thursday, 30 August 2007 13:54
I'm struck instantly of the amazing power of music. This song makes me want to cry: that's how deeply the voice and the notes combine, drawing a swell of emotions, of experiences, of memories and living life and feeling completely connected to all that surrounds me.
Written by Laura Hamlett Thursday, 30 August 2007 13:50
The songs touch heavily on themes of heartbreak, infidelity and failure to commit; compositionally, they range from sparse and simple to fully orchestrated and swelling.
Written by Laura Hamlett Thursday, 30 August 2007 13:47
This is truly an aural pleasure, a distinct and engaging listening experience more than a lyrical discovery.
Written by Laura Hamlett Thursday, 30 August 2007 13:44
I hate to think that contentment kills creativity—really, must all artists be tortured and miserable?—but numerous listens to Some Mad Hope have left me uninspired.
Written by Jason Neubauer Monday, 20 August 2007 14:47In their 17 years together, they have seen and done just about everything a late-breaking musician would name as an aspiration.
Written by Gabe Bullard Monday, 20 August 2007 14:43
The songs here aren't retro, they're timeless—but not in a classic way. This album will never be irrelevant, but it won't ever really fit, either.
Written by Sam Levy Monday, 20 August 2007 14:39
The Numero Group is brilliant at capturing stories that share a common, forgotten-by-time legacy. Michael Jackson is the only surviving member of Kid Soul, a genre that exploded, and imploded soon after.
Written by Raymee Holshauser Monday, 20 August 2007 14:34
I love the various textures of the male voice and Mark Ferrino's is pure and interesting. He adds emotion and creates a radiant pop/rock vibe.
Written by Rebecca Reardon Monday, 20 August 2007 14:30
The International is guitar-driven, jagged and danceable, right from the declarative first track. I started singing along right away, always a good sign.
Written by Amanda Pelle Monday, 20 August 2007 14:24
The album opens with "That's What Lovers Do," evoking the image of a passionate couple making love by the fire, snowflakes drifting outside the window and shadows dancing on the walls.
Written by Gabe Bullard Monday, 20 August 2007 14:20
The band used to quote Gary Numan when referencing relationships; now they sing about listening to Nat King Cole. The irreverence is there, but the attitude isn't.
Written by Rebecca Reardon Monday, 20 August 2007 14:18
Their bandmates didn't appreciate Light and Blonde's makeout sessions during practice, so the duo became The Lovemakers, and built itself a following from Oakland to San Francisco.
Written by Alex Hodschayan Friday, 10 August 2007 08:24
More energetic then most of their material, "Transistor Kids" has something for everyone, with a resonance to make you feel all warm and fuzzy inside while the drums in the background rage on like battle drums.
Written by Mike Tangaro Tuesday, 31 July 2007 13:54
Calgary's The Cape May's sophomore album, Glass Mountain Roads, has a lot in common with a fresh box of warm, soft donuts.
Written by James Nokes Saturday, 28 July 2007 11:05
Man in Gray, boasting high-volume, pop-structured sounds encased in a crunchy shell of volume and confusion debuts with I Can't Sleep Unless I Hear You Breathing, a polyamorous union of soul, British folk, and hardcore punk.
Written by Kevin Renick Saturday, 28 July 2007 11:03
Such a record better at least evoke the search for the American dream, love and loss in the heartland, the feel of traveling on vast, open stretches of highway, the hope of an immigrant searching for a better life, etc.
Written by Brian Potts Saturday, 28 July 2007 11:01
Sayles and Co. have obviously never heard of the phrase "verse, chorus, verse, chorus." Rarely in their songs do parts repeat more than once.
Written by Joseph O'Fallon Saturday, 28 July 2007 10:59
The Go should be recognized as more than the band Jack White played with in the '90s.
Written by Glen Elkins Saturday, 28 July 2007 10:53
Nine Lucid Dreams, sounds like it escaped 1997 and somehow found its way into this century.
Written by Katie Herring Saturday, 28 July 2007 10:50
She is oozing with potential and my prediction is that her next album is going to kick Don't Look Away's ass, after she gets a little bit more life experience and a little bit more love and loss under her belt.
Written by Kevin Renick Saturday, 28 July 2007 10:44
As you draw closer to the source, you hear that it's some kind of lush, strange music with a female singer. You're captivated, even at this distance.
Written by James Nokes Saturday, 28 July 2007 10:40
Strange and surprising, the sophomore release from Angel and the Love Mongers, The Humanist Queen, despite its peculiar titling manages to capture a catchy mish-mash of Depche Mode-like vocals and a sound reminiscent of The Cure, Morrissey, and Pulp.
Written by Mike Tangaro Saturday, 28 July 2007 10:38
Each song changes direction without notice. Vocals flutter in and out of the mix, trumpets flare and then disappear into quiet, and drums pounce vibrantly before settling into a soothing beat.
Written by Jason Green Saturday, 28 July 2007 10:35
This is heavily intricate, wildly experimental instrumental jazz that rocks with punk-like abandon.
Written by Kevin Renick Saturday, 28 July 2007 10:27
This six-piece psych-tinged Americana ensemble, headed by songwriters Phil Weinrobe and John-Paul Norpoth, just seems to know something other bands don't. Or maybe they care more.
Written by Jeremy Goldmeier Saturday, 28 July 2007 10:19
They sing as one, allowing for a constant, delicate interplay between the two. The result is often folk music at its most enchanting.
Written by Glen Elkins Thursday, 19 July 2007 07:07
In "Be Good or Be Gone," Regan embraces the best things about the singer/songwriter genre, creating a sincere, honest depiction of a man and his songs.
Written by Amy Burger Wednesday, 18 July 2007 08:25
The album is a celebration of one of the greatest American rock bands playing at one of the greatest venues in America.
Page 26 of 35
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