Written by Ashley White Wednesday, 16 February 2011 21:00
Kweli’s rhymes are enjoyable, but his repetitive delivery makes the album so blah.
Written by Ashley White Wednesday, 16 February 2011 20:51
You can really feel the struggle she’s going through with the progression of her vocals as well as the intensity of the piano accompanying her brilliantly on this track.
Written by Mary Beth Hascall Wednesday, 16 February 2011 20:46
Eve builds on the band’s love of complex pop melodies, horn and strings rhythm and funky percussion all squeezed into a tight, radio-friendly three to four-minute format.
Written by John Shepherd Wednesday, 16 February 2011 20:42
But, unfortunately, on their own Ottewell’s songs blend together, and what seems remarkable as part of a larger musical canvas ends up being disappointingly tedious.
Written by Mary Beth Hascall Wednesday, 16 February 2011 20:31
Fortunately, Ottewell’s music shines brightly through the harsh stage lights. Shapes & Shadows combines his forceful tenor with passionate songwriting.
Written by Justin Thompson Wednesday, 16 February 2011 09:22
"We just got hella’ drunk and had all of these emotional issues going on, so we just sat up in the studio and put that shit on wax."
Written by Alex Schreiber Monday, 14 February 2011 17:13
"Enough time had passed away from one another that we could see through the bullshit and enjoy our time together."
Written by Laura Hamlett Wednesday, 09 February 2011 23:25
George Michael has got quite the ear for pop music.
Written by Jenn Metzler Tuesday, 08 February 2011 15:05
Ventriloquizzing puts you in a dimly lit room having what you thought was a just a friendly chat, except that your friend is telling you more than you ever wanted to hear.
Written by Ashley White Tuesday, 08 February 2011 14:58
It’s safe to say that his collaborations with artists who are also set to dominate in 2011 foreshadow an amazing year in music.
Written by Jenn Metzler Monday, 07 February 2011 15:52
“For this album we definitely had an idea or a vision. We knew what we wanted everything to sound like—drums, guitar, vocals—and Rob master-produced it the way we saw it or heard it in our heads.”
Written by Justin Thompson Monday, 07 February 2011 10:31
Although they’ve lost bassist Carlos Dengler, Fogarino says, “The dynamic has changed for the better.”
Written by Nicole Madden Wednesday, 02 February 2011 20:28
Written by Ashley White Tuesday, 01 February 2011 19:43
No Boys Allowed is an ode to those men who have decided to put away their boyish games and treat their women with respect and appreciation.
Written by John Shepherd Tuesday, 01 February 2011 00:00
The King Is Dead finds Meloy and company stepping out of the cold darkness of that fantasy world into the warm sunshine of a country field.
Written by Matthew Treon Monday, 31 January 2011 08:53
Low albums showcase Sparhawk’s creativity on guitar; RGC shows he can play the hell out of one.
Written by Alex Schreiber Tuesday, 25 January 2011 14:39
“Tithe” could have been great if it didn’t sound like Pryor was singing through the back of a fan.
Written by Eva Connors Tuesday, 25 January 2011 13:04
The raw, unpolished vocals of Matthew Shultz and slinky, dance-floor rhythms are a huge departure from the band’s debut sound.
Written by Eva Connors Tuesday, 25 January 2011 12:51
Working with kids must have gotten to him, because Hi-Five Soup! seems to cross the line from all-ages party music into full-fledged kids album.
Written by Kavahn Mansouri Tuesday, 25 January 2011 01:18
Down and dirty, this Israeli’s voice will kick your ear buds to the curb from track one straight through track ten.
Written by Jennifer Manjarez Tuesday, 25 January 2011 01:12
The amazing thing about Cake is their ability to put together songs that are predominantly pessimistic, but still leave their fans dancing.
Written by Jason Neubauer Tuesday, 25 January 2011 00:58
“I’ve been to hell and back, I ain’t fallin’ off this track / From the back to the front page, from the gutter to the stage / I’m still alive and I will survive.”
Written by Matthew Treon Monday, 24 January 2011 11:51
Pisano also has a hell of a talent for using his effects pedals to create wrenching sound designs that fill the room.
Written by Bruce Matlock Sunday, 23 January 2011 13:49
“So, from night to night, the music will be different and the visuals will be different as well," Shinoda says. "No two shows will be the same.”
Written by Alex Schreiber Thursday, 20 January 2011 13:18
Along with the drumbeat are crashing cymbals and unintelligible yet angelic chants that make for an uplifting song—so uplifting that it feels like you’re being blasted into space.
Written by Jim Ousley Wednesday, 19 January 2011 10:14
Imagine David Bowie and Paul McCartney forming a band with members of The Kinks and The Knack, and you might get an idea of the garage-pop fun that awaits you.
Written by Laura Hamlett Tuesday, 18 January 2011 17:38
Most of the songs here would fit well on alternative rock radio alongside anything the major labels have to offer.
Written by Bruce Matlock Thursday, 06 January 2011 10:01
If you’re unfamiliar with the religious experience that is a Girl Talk show, well, there is nothing I can say to prepare you.
Written by Glen Elkins Thursday, 30 December 2010 16:03
Even though there's not a ton going on with the instrumentation on this album, the lyrics certainly pay huge dividends.
Written by Glen Elkins Thursday, 30 December 2010 15:48
Strange whirls, ominous reverberations and scathing screeches collide in what can only be described as an orchestral orgy.
Written by Laura Hamlett Wednesday, 22 December 2010 14:58
We promise to bring something to strum your heartstrings, something to fall asleep to and live with.
Written by Laura Hamlett Friday, 17 December 2010 21:25
Singer/songwriter Paddy McAloon is a man with a sincere and deeply rooted love of music.
Written by Glen Elkins Tuesday, 14 December 2010 08:06
The 12” is essentially two songs with an interlude in between, and is a worthy venture for fans of the genre.
Written by Laura Hamlett Sunday, 12 December 2010 00:01
The singer brings a bit of himself to “Blue Christmas,” slowing it down to an instrumental ballad which perfectly fits his voice.
Written by Laura Hamlett Saturday, 11 December 2010 23:53
I’m not sure who David Foster is, but it’s virtually impossible to deliver a “Carol of the Bells” that doesn’t dazzle.
Written by Stephen Fairbanks Friday, 10 December 2010 09:51
Though the genre pops up as "rap" when you open the album in iTunes, this is an album that defies categorization, which is high praise in my book.
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