Duplicity (Universal Pictures, R)

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Written by Matthew F. Newlin Friday, 20 March 2009 02:28

duplicity-header.jpgAll of the characters are dynamic and entertaining to watch and even though this is only his second directorial effort he works with a master hand at pacing the action and produces wonderful performances from his cast.




I Love You, Man (DreamWorks SKG, R)

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Written by Pete Timmermann Thursday, 19 March 2009 17:00

iloveyouman-header.jpgAlthough I like the plot and love the cast, the script's trajectory is a lot dumber than I would have liked, which really hurts the movie.



Knowing (Summit Entertainment, PG-13)

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Written by Sarah Boslaugh Thursday, 19 March 2009 17:00

knowing-header.jpgIt's only March but already there's a frontrunner for worst movie of the year.




Absurdistan (First Run Features, NR)

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Written by Sarah Boslaugh Saturday, 14 March 2009 04:14

film_absurdistan_sm.jpgAbsurdistan sometimes resembles nothing so much as a class project of the United Nations High School.



Watchmen (Warner Bros. Pictures, R)

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Written by Jason Green Friday, 06 March 2009 12:40

watchmen-header.jpgCrowds looking for the standard origin-story-and-then-let's-fight-a-bad-guy cliché will no doubt be shocked by many things in this movie: the graphic sex, the even more graphic violence, the moral ambiguity in the decidedly unheroic choices the "heroes" make.



Donkey Punch (Magnet Releasing, R)

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Written by Matthew F. Newlin Friday, 06 March 2009 09:26

donkey-punch_sm.jpgDonkey Punch is little more than a well-paced thriller with some gratuitous nudity.



The Class (Sony Pictures Classics, PG-13)

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Written by Sarah Boslaugh Thursday, 26 February 2009 09:44

film_class_sm.jpgAll adolescents are concerned with forming and asserting their adult identities, but the students in The Class have more to deal with than most.



Ballerina (First Run Features, NR)

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Written by Sarah Boslaugh Thursday, 19 February 2009 14:36

film_ballerina_sm.jpgBertrand Normand focuses on five women at different stages of their careers.



The Wild Child (The Film Desk, G)

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Written by Sarah Boslaugh Friday, 13 February 2009 02:27

film_wild-child_sm.jpgFrançois Truffaut the filmmaker is more suspicious of Jean Itard's motives and successes. Unstated but ever-present is Itard's professional ambition.



Two Lovers (Magnolia Pictures, R)

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Written by Laura Hamlett Friday, 13 February 2009 02:25

film_two-lovers_sm.jpgWhether you view the film's ending as hopeful or tragic, you can't help but recognize the movie as the genius piece of filmmaking that it is.



The International (Columbia Pictures, R)

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Written by Kevin Renick Friday, 13 February 2009 02:19

film_international_sm.jpgOwen and Watts are intelligent, intuitive actors and you always know that more is going on behind their eyes than what the dialogue might indicate.



Confessions of a Shopaholic (Touchstone Pictures, PG)

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Written by Kevin Renick Friday, 13 February 2009 02:17

film_shopaholic_sm.jpgLuke Brandon (Hugh Dancy) sees something in Rebecca—God knows what, besides her looks—so he gives her a trial writing gig.



Beauty in Trouble (Menemsha Films, NR)

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Written by Sarah Boslaugh Monday, 09 February 2009 03:51

film_beauty-in-trouble_sm.jpgIn Robert Graves' poem, the story concludes as Leo Durocher would have predicted it: nice guys finish last.



Coraline (Focus Features, PG)

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Written by Pete Timmermann Monday, 09 February 2009 03:49

film_coraline_sm.jpgCoraline feels like a low-rent 3-D cash-in, instead of the very labor-intensive work that it actually is.



Push (Summit Entertainment, PG-13)

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Written by Pete Timmermann Monday, 09 February 2009 03:47

film_push_sm.jpgStrange that director Paul McGuigan was able to secure what is at least a pretty good cast for this mess.



New in Town (Lion's Gate; PG-13)

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Written by Kevin Renick Monday, 09 February 2009 03:44

film_new-in-town_sm.jpgThis is a more entertaining film than others of its type, thanks to Zellweger's nicely grounded and appealing performance.



Were the World Mine (SPEAKproductions, NR)

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Written by Sarah Boslaugh Monday, 09 February 2009 03:42

film_were-the-world-mine.jpgWere the World Mine focuses on the attempts of unhappy adolescent Timothy (Tanner Cohen) to negotiate his way through an all-male prep school.



Che (IFC Films, R)

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Written by Joe Hodes Monday, 09 February 2009 03:40

film_che_sm.jpgThe Che Guevara of Stephen Soderbergh's film would have approved of such a style, as it mirrors his approach to revolution.



Inkheart (Warner Bros. Pictures, PG)

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Written by Adrienne Jones Friday, 23 January 2009 04:24

film_inkheart_sm.jpgThe best part of Inkheart is the look of the film. The characters are quickly thrown into a world of cobblestone streets and ancient castles, and everything looks believably run-down and medieval.



The Wrestler (Fox Searchlight, R)

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Written by Sarah Boslaugh Friday, 16 January 2009 15:36

film_wrestler.jpgThe Ram hangs on, embracing the show-business gospel that his big break will come and he'll be back in the spotlight once again.



Defiance (Paramount Vantage, R)

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Written by Matthew F. Newlin Friday, 16 January 2009 15:34

film_defiance_sm.jpgThe film is a story of survival and courage that just happens to be set during one of the darkest times in history.



Paul Blart: Mall Cop (Columbia Pictures, PG)

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Written by Adrienne Jones Friday, 16 January 2009 15:31

film_paul-blart_sm.jpgWhile it can be a bit fun to watch Blart pick off the baddies one by one, it never fills the funny quota.



Gran Torino (Warner Bros. Pictures, R)

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Written by Matthew F. Newlin Friday, 09 January 2009 03:51

film_gran-torino_sm.jpgThe film is a perfect vehicle for Eastwood to show another side of himself, which he does wonderfully.



Valkyrie (United Artists, PG-13)

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Wednesday, 24 December 2008 08:16

valkyrie.jpgIt isn’t action-y enough to please the Tom Cruise-WWII-kill some Nazis crowd, and it isn’t thought provoking enough to please the intellectual crowd.

Revolutionary Road (DreamWorks/Paramount Vantage, R)

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Wednesday, 24 December 2008 08:06

revolutionary_kate.jpgOf course, Mendes has made a career out of directing for the stage and only sometimes for the screen, so my feeling is that he pushed our otherwise trustworthy Kate and Leo into these embarrassingly awful, career-worst performances.

Marley & Me (Twentieth Century Fox, PG)

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Wednesday, 24 December 2008 07:47

marley.jpgWilson and Aniston clearly have a strong chemistry together. Their scenes can be sweet and funny but they are also able to bring a realism to the characters when life is not easy or simple.

Doubt (Miramax, PG-13)

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Wednesday, 24 December 2008 07:36

doubt.jpgWhat goes on in Doubt, as far as one can reasonably tell, is that circa the 1960s a new, likeable priest named Father Flynn (Philip Seymour Hoffman) comes to a church that is ruled unofficially by its meanest nun, Sister Aloysius (Meryl Streep).

The Curious Case of Benjamin Button (Paramount Pictures, PG-13)

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Wednesday, 24 December 2008 07:23

button2.jpgIt probably bears mentioning that I don’t like Forrest Gump at all, but of course most people do, so when others say Ben Button is like Forrest Gump it is a compliment, but from me it is an insult. That said, I think Button is a superior film to Gump, if only because it is lacking some of the appalling political undertones that Forrest Gump tried to sneak in subliminally.

Yes Man (Warner Bros. Pictures, PG-13)

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Written by Matthew F. Newlin Friday, 19 December 2008 15:53

film_yes-man_sm.jpgZooey Deschanel struggles through most of her scenes to keep up with Jim Carrey.



Seven Pounds (Columbia Pictures, PG-13)

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Written by Matthew F. Newlin Friday, 19 December 2008 15:51

film_7lbs_sm.jpgSeven Pounds misses the opportunity to be extraordinary.



The Tale of Despereaux (Universal Pictures, G)

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Written by Matthew F. Newlin Friday, 19 December 2008 15:48

film_despereaux_sm.jpgThe animation is simply magnificent; each world has its own flavor and feel.



Nothing Like the Holidays (Overture Films, PG-13)

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Written by Sarah Boslaugh Thursday, 11 December 2008 14:08

film_christmas_sm.jpgIt must be the Christmas season, that magic period when families both real and celluloid get together to bicker and bond, to rehash old grudges and inflict new wounds.



Slumdog Millionaire (Fox Searchlight, R)

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Written by Pete Timmermann Thursday, 11 December 2008 14:05

film_slumdog_sm.jpgSlumdog Millionaire is a watered down City of God knockoff that is wrapped around a gimmick.



The Day the Earth Stood Still (20th Century Fox, PG-13)

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Written by Sarah Boslaugh Thursday, 11 December 2008 14:02

film_earth_sm.jpgScott Derrickson's remake of the 1951 classic provides the best evidence I've seen lately that money can't buy class.



Stranded: I’ve Come from a Plane That Crashed on the Mountains (Warner Brothers, NR)

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Friday, 05 December 2008 16:53


One question would be asked again and again: What did they do for food? At first they parried the question, but soon the truth came out: They survived by eating the flesh of those who died in the plane crash.


Cadillac Records (TriStar Pictures, R)

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Friday, 05 December 2008 16:31

cad_square.jpgMany of them lived hard lives filled with disappointment and seemed to expect more around every corner. It makes a certain amount of sense, then, that success before you've gotten your head on straight might make you act a fool.

Page 27 of 39

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