Written by Erin Jameson Monday, 10 October 2011 00:00
She's some kind of angel, if you know what I mean, she's Evangeline, the basis for one of Matthew Sweet's finest songs and, with Sweet hitting the Duck Room this Saturday, the basis of this week's Lovefool, too.

About the time I was first learning the correct way to wield lipgloss and inhale without coughing, I was also getting pretty heavily into Matthew Sweet. In fact, the two are directly related since I was first introduced to Mr. Sweet through a Valentine's Day present from a possibly-not-that-inappropriate-but-still-doomed boy. I bought Girlfriend a few months after the boy and I broke up, wanting to go a little farther back in the catalog, and it was immediately confirmed—no matter who else was in my life, I'd always have Matthew. Everyone has a musical something that they get all tongue-tied and stupid over and Matthew Sweet is mine. Girlfriend, the album, is torn out of Sweet's own life and covers both a divorce and a renewed interest in dating but also offers several hat-tips to Sweet's own nerdy tendencies.
Jonny seems to almost immediately be interested in Evangeline, much to Evangeline's slight irritation. Evangeline is a Bride of Christ, though, and her faith remains unshaken. Evangeline is tricky to pin down. On one hand, she's a secret agent who can take out a casino full of men with guns on her own, allied to a mysterious Cardinal enshrined at the Vatican, moving from mission to mission. On the other hand, she's an orphan who was recruited as a child when her orphanage was destroyed who expenses a ticket from Mars to Earth for a drifter who helped her once. Savvy enough to construct a bow and arrow out of random things she finds lying around a shuttle and glam enough to pass as a Countess regularly, she's quite a contradiction and more than a little bit of a sociopath, really. It works for her, though, and Jonny goes along for the ride but can only go so far.