3. "Pay what you want"

1. Twilight

As if the 'tween market weren't grating enough, Gen X alumnus Stephanie Meyer saw fit to unleash a florid melodrama that wed the gothic window dressing of Buffy the Vampire Slayer with the vacuous intrigue of The O.C. Released just as the core Harry Potter acolytes began to deal with hormones and acne, the Twilight series took middle academia by storm, selling millions of copies worldwide and providing a new unattainable ideal for lovelorn teen girls everywhere. In a definitive usurpation of Hollywood's reliable 14- to-19-year-old male demographic, the Twilight movie dominated box office receipts upon its release in November; suddenly, vampire kids were everywhere, "stupid lamb" had entered the national lexicon, and Robert Pattison had become an overnight sex god. And everyone who wasn't in love with Edward Cullen found themselves wishing they could drive a stake right through his heart.

2. The Olympics

From the moment Chinese officials decreed a change in the toilet facilities throughout the Olympic village to accommodate Westerners who didn't want to stoop over the can, it was clear that the 2008 Summer Olympics would be an entirely different animal. The games provided China with a chance to air out the stink of their deplorable human rights record by hosting emissaries from all over the world in the name of unity, and they made it clear during the opening ceremonies that they weren't messing around. But their nationalistic spotlight was hogged by an amphibious Baltimorean named Michael Phelps, who dominated the swimming events, broke every Olympic record in existence, and managed to cure cancer in between laps. For the better part of the summer, the national dialogue consisted almost solely of Phelps' flawless physique and superhuman caloric intake, and he quickly appeared on Wheaties boxes and SNL. But to those who couldn't care less about athletics, the Olympics were just another minor diversion from China's ongoing dismissal of international law.

3. "Pay What You Want"

Downloading media content for free has been the national pastime since the advent of Napster in 2000. Alas, the rise in peer-to-peer programs opened a Pandora's Box of illegal delights which the RIAA, MPAA and FBI have tried desperately ever since to extinguish, but as the trend grew more ubiquitous and media conglomerates more out of touch with the times, the artistic community learned to utilize the online network for their own ends. The underground success and mainstream assimilation of such flagrantly illegal musicians as Danger Mouse and Girl Talk proved that the market had changed since the litigation-happy days of John Oswald and Negativland, when the record industry still had the clout to squelch even the slightest affront to its Draconian system of copyright law. With a perfect storm brewing, it was only a matter of time before the major players took par

Radiohead found themselves in a unique position in mid-2007. They had just completed their seventh studio album, In Rainbows, but their contract with Capitol had been allowed to expire. Thus, they were offered the option of signing to another label for the album's distribution, or doing it the old-fashioned way and putting it out themselves. When Wilco was faced with this decision in 2004, they chose the former. Radiohead chose the latter. Their official website became a portal for their new music, allowing fans the chance to download it directly from the band; the gimmick, however, was that they offered a business model in which those who partook of the music could pay whatever they wanted for it. To an outraged record industry, still reeling from Prince's free distribution of his most recent album, Planet Earth, it was tantamount to treason. But for Radiohead fans, long familiar with the band's interactive online experiments, it was a natural progression. The band also offered a box set with bonus goodies for those willing to cough up real cash, but the main event took place online. The album was only available for a short while before being removed from the servers in lieu of an official release, but the damage had already been done. Subsequent releases by Nine Inch Nails and others further impacted the potato Radiohead had stuck up the RIAA's tailpipe, but it was In Rainbows that made the press. Alas, everyone who had benefited from the peer-to-peer revolution knew that this day had been a long time coming.

4. Sarah Palin

Not since Dan Quayle had a vice-presidential candidate provided such sublime late night fodder. With her Marge Gunderson drawl and supreme telegenicity, Sarah Palin sashayed her way into the annals of political serendipity with unprecedented hubris and panache. The press went wild for Caribou Barbie, but the truth was that there was nothing of substance beneath the bouffant. Her disastrous interview with Katie Couric and subsequent embarrassment at the VP debate validated suspicions that she was nothing more than a cynical ploy by the Republican party to snap up the female voters they supposed had been disenfranchised by Hillary Clinton's defeat to Barack Obama, and her utter annihilation at the hands of Tina Fey destroyed any chance of her being taken seriously as a politician.

There were a few scary weeks in which the spectacle of her evangelical convictions governing world policy seemed all too possible, but the election results made it clear that the majority was no longer going to be swayed by the Republicans' usual tactics. If she doesn't succeed in furthering her political career, then hopefully Palin will retreat to her outpost in Wasilla, where she can keep an eye out for Russian bombers while teaching little Tripp Easton how to shoot them down.

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