1. Wilco | Sky Blue Sky (Nonesuch)
Sky Blue Sky isn't as sonically
adventurous as Wilco's last few records, but thematically, it's the most
surprising sound the band could've pulled off. The noisy guitar breaks of A Ghost Is Born are shortened and the
jammy stuff is reined in between more rigid structures. Still, the album sounds
loose, smooth, rootsy and beautiful. Kind of like a depressed coal miner's
ultimate makeout album.
2. Tim Fite | Over the Counter
Culture (s/r)
Radiohead got all the credit for shaking up the record industry, but the best
(potentially) free album of the year belongs to rapper Tim Fite. Available for
free on Fite's website, the album's 15 tracks sound like they were crafted from
lost Beck instrumentals. The lyrics are often funny and always
socially-conscious. Fite may be the only rapper to take on drug companies and
urban fashion, and if he isn't, it's hard to imagine anyone doing it so
adeptly. With a true proficiency of words and music, Over the Counter Culture will add some much-needed booty-shaking to
boycotts and protest marches.
3. The White Stripes | Icky Thump
(Warner Bros.)
Jack White -- once focused on avoiding overdubs and modern technology -- grabbed
Meg and a synthesizer (an old one) and went to a modern studio to make Icky Thump. The analog synth on the
title track is just the beginning, though. Other songs see the duo trading
licks with a trumpet and playing bass drum and mandolin over bagpipes. There
may be new instruments and technology, but this is still a White Stripes album,
and surely a classic one to boot.
4. Andrew Bird | Armchair Apocrypha
(Fat Possum)
For all his talent, Andrew Bird never quite made a totally cohesive album
before this one. All of his trademarks -- whistling, violins, loops, and
bizarre wordplay -- are in top form, and the production gives adds an
indie-rock themed feel that ties the songs together.
5. Grinderman | s/t (Anti-)
Sexual frustration has always been a theme in blues music, and white bluesmen
have made the lack of satisfaction their primary focus for over four decades.
While past musicians have sacrificed finesse for grit and class for clever
metaphors, Nick Cave
sacrifices nothing on Grinderman and still makes a great blues-rock record.
Fuzzy, over-modulated guitars and bass combine with outright noise on the
backing tracks, which provide the perfect bed for Cave's witty depravity.
6. The Shins | Wincing the Night
Away (Sub Pop)
While Spoon and Of Montreal improved, The Shins top off the list of good bands
who got better in 2007. The group expanded their influences and transformed
their bright, cutesy sound into something a little darker, yet still upbeat and
cute. While The Shins haven't yet reached epic status, Wincing is a very large step in the right direction.
7. Spoon | Ga Ga Ga Ga Ga (Merge)
Like Of Montreal, Spoon managed increasing popularity and made a truly great
album that fits nicely in their current discography. Adding horns to songs like
"The Underdog" was an excellent touch, but it was arguably unnecessary
considering the sheer quality of songwriting on Ga Ga Ga Ga Ga.
8. Of Montreal
| Hissing Fauna, Are You the Destroyer? (Polyvinyl)
When a band has released as many good albums as Of Montreal, every new record
is a risk of failure. Without breaking too much new ground (no more than on
previous albums), Kevin Barnes and Co. expanded on past efforts, creating what
could possibly be their best work to date.
9. Dan Deacon | Spiderman of the
Rings (Carpark)
If retro was cool in 2007, then Dan Deacon is the class geek. With loops,
samples and bizarre sounds, Deacon made a truly modern album. But method and
history don't matter; Spiderman of the
Rings is the most fun you can have with a stereo in 2007, and possibly
beyond.
10. Sharon Jones and the Dap-Kings |
100 Days, 100 Nights (Daptone)
In a perfect world, Amy Winehouse's Fauxtown sound would be a commercial
footnote to Sharon Jones' muscled-up Mussel Shoals music. By mining the past
and refusing modernity, this soulful singer and her band made the funkiest
throwback party record in recent memory.
| Gabe
Bullard
|