Take all this and add naked
house climbing, scatological jokes (visual and verbal) and some dead bodies and
you have the perfect mix of humor and timing that is funny until the last
scene.
Probably best known as the
voice of Yoda in the Star Wars
enterprise, Frank Oz also has a very unique repertoire of films that he has
directed, and Death at a Funeral fits
perfectly on the list. From the same man who brought us over-the-top comedies
in the 80s and 90s like What About Bob?
and Dirty Rotten Scoundrels comes a
hilarious day at the funeral of the patriarch of an English family where things
go from worse to much worse.
The film sets up the absurdity from the opening scene as
Daniel (Matthew MacFadyen) makes the final preparations for his father's
funeral and realizes that the men delivering the casket have brought the wrong
body. With that, we know we are in for an unusual day. The chaos continues
when, on the way to the funeral, Martha (Daisy Donovan) accidently gives her
fiancé, Simon (Alan Tudyk), a hallucinogenic drug she got from her brother,
Troy (Kris Marshall), who is "studying to be a pharmacist" at the university.
Pharmacist, right.
On top of that, Daniel has to
worry about living in the shadow of Robert (Rupert Graves), his successful
writer-brother who comes back from New York for the funeral. Daniel also meets
an interesting stranger at the party, Peter (Peter Dinklage), who knows a lot
more about Daniel's father's past than anyone in the family.
Take all this and add naked
house climbing, scatological jokes (visual and verbal) and some dead bodies and
you have the perfect mix of humor and timing that is funny until the last
scene. Oz keeps the pace of the movie moving quickly as he spends only a few
minutes with any group of characters. After we get a little bit of the problem
they are working on, we move on to someone else, adding to the frenetic and
confusing nature of the day. Dean Craig, who wrote the screenplay, has created
a group of characters so dysfunctional and neurotic that they could only all be
in the same family.
As for the performances,
everyone is on their game. Marshall, best known to American audiences from Love, Actually, is perfect as a drug-dealing
student who is trying to take care of several dire situations at once. Tudyk is
very careful not to overdo it on the drug performance as we watch him trip for
only the first two of the eight hours his drug will last. And Dinklage, who had
a wonderfully somber performance in The
Station Agent, is both despicable and hilarious as the stranger who has
come to crash the funeral.
Like most of Oz's films, Death at a Funeral manages to be just
touching enough to not be uncomfortable in such a ridiculous movie. MacFadyen
keeps everything balanced as Daniel bounces between the slapstick and the
sincere. |
Matthew F. Newlin
|