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He enunciates his intelligent lyrics crisply,
even when effects are thrown into the mix. Remember the wonder with which you
first heard Cy Curnin's voice (the Fixx)?
Bio information is deliciously
hard to come by for Joemca, which frees me to make it up. I do know he's been
called a Brooklyn wunderkind, and that he calls his
backing band the Poets. I have in my hands (and through my headphones) his
debut EP, a five-song blast of richly layered vocals and intriguing
compositions.
Can I devote an entire paragraph
to the vocals? Joemca's voice is strong, summery, shifting readily between
calling out and layering over. He enunciates his intelligent lyrics crisply,
even when effects are thrown into the mix. Remember the wonder with which you
first heard Cy Curnin's voice (the Fixx)? Soften it a bit, add in piano and
other electronic sounds, more of a warm feel than a stark emotion; got it?
The disc opens with "Strangers,"
as Joemca emerges from the sand where he's hidden himself. "I'm lost out here
in the daylight, in the middle of a field/out here we're not free and there's
no one left around," he says. Next up, the disc's most intricate and
interesting song, "Panic Friend," layers vocals and keys and strings on top of
one another. He's reaching out, calling for help; things are getting mixed up.
As you'd expect with a song
called "Dead Paradise," there's an end-of-the-world feel to the middle song
here. The party's still going on, the people are still talking and feeling
good, but there's a hint that it may not last forever. There's an almost
funereal piano backing "Glass Eye"; adding to the post-apocalyptic feel are
lethargic whistling and eerie female backing vocals. Finally, we've moved past
the earthly and into the good stuff. "Ode to the Sea" is perky, promising. "I
wish I had a home down by the sea," Joemca croons, "with waves crashing into
me." He paints an idyllic picture, his chocolate-y voice inviting us along.
Breathe deeply through your gills and scissor kick. A | Laura Hamlett
RIYL: The Fixx, Interpol
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