Written by Bryan A. Hollerbach
Friday, 31 January 2003 17:00
Interview addicts owe a debt of gratitude to Cooper Square Press, which
just reissued as a handsome trade paperback Alanna Nash's Behind Closed
Doors.
Originally published in 1988, the volume presents question-and-answer
sessions (each preceded by a mug shot and a two- to five-page capsule
bio) between 27 acts in country music and Nash, who currently covers
that genre for Entertainment Weekly. Those Q&A sessions and their
attendant prolegomena vary in length from 13 to 28 pages and
collectively fill almost 600 pages set in an efficient (and, to be
sure, attractive) slab serif typeface. Moreover, Nash's subjects range
from Bill Monroe (who founded or, depending on one's perspective,
cofounded the subgenre of bluegrass) to Alabama (about whom, perhaps,
the less said, the better). In that regard, Behind Closed Doors almost
necessarily makes engrossing reading by virtue of its scope: it's a
country cornucopia.
Along the metaphoric way, Nash chats with artists who ranked as rookies
a decade and a half back but who now qualify as veterans-Rosanne Cash,
Rodney Crowell, Steve Earle-as well as such nonesuches as comedienne
Minnie Pearl and outlaw's outlaw David Allan Coe, who could give even
someone like Toby Keith a lesson or two in bluster.
By way of fulfilling the volume's subtitle, "Talking With the Legends
of Country Music," Nash also interviews luminaries like Merle Haggard,
George Jones, Loretta Lynn, Willie Nelson, and Dolly Parton. (N.B.: A
year after the 1977 session with Parton reproduced here, Nash published
a full biography of the buxom Tennessee thrush, which Cooper Square
Press updated late in 2002 and which Playback St. Louis reviewed last
issue.)
Time's passage, of course, has transformed Behind Closed Doors into
something of a requiem, in that not a few of the musicians herein
profiled are now performing solely in celestial choirs; indeed, quite
by chance, Nash's book commences with Roy Acuff (d. November 23, 1992)
and concludes with Tammy Wynette (d. April 6, 1998).
Still, that can't count against it. If Behind Closed Doors at all
disappoints, in fact, it does so only by excluding performers who have
risen to prominence in the past 15 years. In that regard, interview
addicts can only hope for an updated edition at some future time.