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You can tell a band’s character by how they want their music to be heard.

You can tell a band’s character by how they want their music to be
heard. Sound Team chose cassette tapes to be the helm of their initial
recordings. How cool is that? Fans with aging four-wheeled rovers can
appreciate the joys of slipping in a brand new cassette tape and then
happily flipping it over to repeat. Sigh...
In January 2003, Matt Oliver and Bill Baird began Sound Team as a
recording project. Now with its self-made recording studio (christened
the “Big Orange”) the Sound Team has the space to be as creative and
loud as possible.
After snagging a demo, Capitol Records promptly signed the band and
released the Work EP last December. Movie Monster is their first
full-length effort and it is amazing. With six members in the band, the
album has a full musical landscape featuring traditional rock
instruments as well as piano, keys, and the Moog synth. Producer Mike
McCarthy (Spoon) helped the band with making the record sound so
effortless and whole.
Not easily identified with one genre or influence, the Sound Team
appeals to a wide array of musical coinsurers. They have a goal of
creating good, soulful songs, and they succeed. Movie Monster begins
with a short light pop intro “Get Out” and leads into “Born to Please,”
on which Baird’s Moog makes its sonic appearance known. “No More
Birthdays” showcases Oliver’s pop/punk vocals and lyrical talents.
Though Oliver’s lyrics may seem to float around topically as they are
indecipherably sung, they have an impact on the listener and are
unique.
The title track switches to a low-key pace with pouty vocal delivery.
Again, the words—“we put our hands into the air but we don’t need to be
delivered”—and the cool beat of the drums/synth effects sets the tone.
The addition of the Moog brings out a beautiful haunting quality to the
music. “TV Torso,” more techno than pop, speeds up the tempo of the
record. Clocking in at over six minutes, it reminds one of “Dirty Epic”
by Underworld, especially the fuzzy guitar and flowing lyrics in the
background.
A favorite on Movie Monster is easily “Back in Town,” with a handful of
lyrics describing what its like to return home: “You don’t need to look
for trouble, trouble will find its way to you”; “The bleachers are
empty, the sky is an impossible blue”; and “When there’s 9,000 neckties
in a swarm all around you and you lunch counter girls.”
Closing Movie Monster is the fun and energetic “Handful of Billions,” a
good driving-in-the-car-on-a-summer-day kind of tune. This hardworking
team of musicians should feel proud of their first major label release,
though I still enjoy the throwback appeal of those old-school cassette
tapes.

Purchase downloads for this artist at our BurnLounge.
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