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Norse Code Ratings Explained |
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Written by Kevin Renick
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Tuesday, 03 January 2006 |
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ABOUT THE RATINGS: Recordings featured in Norse Code are rated in several different ways. Discs are assigned an Overall Rating (OR) from 1 to 10. 10 indicates a masterpiece or “Essential” album, 5 indicates a pretty good album that could have used a few more strong songs or more creative energy, and a 1 or 2 would be a largely disappointing or uninteresting record. Otherness Measure or Otherness Meter (OM) is a rating, from 1 to 5, that indicates the aesthetic/cultural uniqueness of a work, i.e., how Scandinavian is it? Are certain elements mysterious or challenging? Stated another way, it’s the distance a recording travels from established formulas, regardless of how strong the performances or production may be. See the first installment of Norse Code for a more detailed explanation. Finally, we’ve created the special ranking of Certified Scandinavian Classic (CSC) to indicate truly stellar recordings that also proudly reflect their Scandinavian origins in some manner. These are works that help the uninitiated to understand why some of us believe Scandinavia is producing much of the richest popular music in the world.
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| Sleep Station | The Pride of Chester James (Eyeball) |
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| Akron/Family | Love Is Simple (Young God) |
| Ana Popovic | 06.17.08 |
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| Annie: Anniemal (Big Beat) |
| Biirdie | Catherine Avenue (Love Minus Zero) |
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| Black Tie | Goodbye, Farewell (Socyermom) |
| Bodies of Water | A Certain Feeling (Secretly Canadian) |
| Club 8 | The Boy Who Couldn't Stop Dreaming (Labrador) |
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| Dive Index | Mid/Air (Neutral Music) |
| Doctors & Dealers | Confessions of a Drunken Mind (Bluesong) |
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| Get Smart (Warner Bros., PG-13) |
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| Lima Charlie | It's So Easy To Be Creepy (s/r) |
| Lo Fine | Not for Us Two (Pigeon) |
| Love in October | Pontus, The Devil, and Me (The Musik Group) |
| Lucinda Black Bear | ‘Capo My Heart' and Other Bear Songs (Eastern Spurs) |
| Midnight Juggernauts | Dystopia (Astralwerks) |
| Midnight Oil | Diesel and Dust (Sony/BMG Legacy) |
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| Norse Code | 01.06 |
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| Putois | The Problem Is Not a Problem Anymore (Cerebral Cliff) |
| Quarter Acre Lifestyle | Blood on the Lawn (s/r) |
| Rachel Taylor Brown | Half Hours With the Lower Creatures (Cutthroat Pop) |
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| Rilo Kiley | 09.12.07 |
| Running With Scissors (Sony Pictures, R) |
| Sian Alice Group | 59:59 (The Social Registry) |
| Silje Nes | Ames Room (FatCat) |
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| Small Sins | Mood Swings (Astralwerks) |
| Son Ambulance | Someone Else's Déjà Vu (Saddle Creek) |
| Taxi to the Dark Side (THINKFilm, R) |
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| The Departed (Warner Bros., R) |
| The Explorers Club | Freedom Wind (Dead Oceans) |
| The Fervor | Bleeder (Heartbeat Productions) |
| The House Bunny (Columbia Pictures, PG-13) |
| The Instruments | Dark Smaland (Orange Twin) |
| The Mist (Dimension Films, R) |
| The Photographic | Pictures of a Changing World (Galaxia) |
| The Raveonettes | Lust Lust Lust (Vice) |
| The Silver Seas | High Society (Cheap Lullaby) |
| The Strangers (Rogue Pictures, R) |
| The Ting Tings | We Started Nothing (Columbia/Red Ink) |
| The U.S. vs. John Lennon (Lions Gate, PG-13) |
| The X-Files: I Want To Believe (20th Century Fox, PG-13) |
| The Yarrows | Plum (Empyrean) |
| These Are Powers | Terrific Seasons (Hoss) |
| Thomas Dybdahl | Science (Recall) |
| Ween | 10.22.07 |
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