What makes Frozen River work as well as it does is there is always something to worry about.

The most successful aspect of Traitor is the way it conveys, through fast cutting from one purported location to another, a sense of just how connected the modern world is.

Brad Anderson really makes you wonder why there aren't more thrillers like Transsiberian.

Lucky for us, we now have Hamlet 2, which brings out the drama nerd in all of us, and is the rare smart, broad comedy.

For its more interesting bits, Elegy suggests a less dangerous update of Nicolas Roeg's Bad Timing.

Baghead expands beyond the endless chatter associated with mumblecore and creates a film where, believe it or not, things actually happen.

Faris is now a topliner with The House Bunny, a movie about—yes—a dim-bulb Playboy bunny named Shelley who leaves the comfort and party-all-day atmosphere of her life at the Playboy Mansion.

The Rocker is the latest in a long line of he's-way-too-old-to-act-like-that movies.

With Catherine Breillat, Asia Argento has again found a director to twine her lustiness into proper effect.

The performances are terrific all around, which is to be expected when talented actors such as these are fortunate to work with an actor's director like Allen.

There may well be a market for simple-minded, high-budget tales of Christian redemption; if so, Henry Poole should do very well at the box office.

There are too many fantastic performances in the movie to go into detail.