Somehow, almost every song here seems a favorite in its own right.

One listen to the first song, "Detroit," and I thought I was in love.

I'll have to admit, I don't find Church's voice to be especially strong.

At some point, it had to happen. Shoegaze had to grow up, grow a set, adapt.

Even after years of mastering unique beats and unconventional sounds, Tiesto is still trying his hand at something new.

The film's retro affectations permeate every aspect of the soundtrack.

You may be as surprised as I was at this transplanted Aussie's California sunshine-inspired tracks.

"Why then," you ask, "are you reviewing this CD, smart guy? Aren't you the guy in charge of the comic book section or something?"

In and Out of Control is a solid effort by The Raveonettes and one of their best records to date.

Ryan Jarman really stretches his voice on this offering. It's still recognizable, but he's singing more, reaching new ranges, holding notes longer.

On the whole, this is a mellow one, kids; Vehicles and Animals is a long, long time ago, and not one we'll be soon revisiting.

Beginnings like this were a rare find around these parts, 'cause the tendency was for the talent to leave the nest and head for the coasts ASAP.

From the first song to the tenth, these are richly layered, deeply affecting numbers; listening, you often feel the confidante to a close friend.

That isn't to say that this is an all-time classic like Violent Femmes or Hallowed Ground: the peaks aren't nearly that high, but the complete lack of valleys is cause for celebration.

Don't feel ashamed if you're inclined to hit the "repeat" button and listen to the whole disc all over again; this is one that stands up to repeated (and repeated) listens.

The growth and maturation of his talents shine on "Holding Out," the second track on the set, a piano-based tune Joe Jackson could have released in his prime.