Hunt does a great job in her dual role. Her portrayal of a woman redefining her life is excellent. April is harried and downtrodden, but never inaccessible. April is definitely the victim, of bad luck, poor timing, and other’s self-centeredness, but she is not perfect. She has faults and makes bad decisions. She is a real person.

The film accomplishes exactly what The Matrix did in 1999 in that it looks like absolutely no other movie that preceded it.

The saving grace of this film is, not surprisingly, Wood’s standout performance as young Diana, a self-aware “bad-girl” who smokes pot, sleeps with older men and is full of attitude (a slightly more mature version of her character in Thirteen).

Planet B-Boy mixes liberal amounts of dance footage with interviews with the top teams and their families, the European founders of the event, and several B-Boy legends.

Marvel has a history with crowd-pleasing summer action flicks, but when it comes to crowd-pleasing, this film goes above and beyond.

Fey and Poehler work well as a somewhat uptight businesswoman and her wild, white-trash surrogate.

If you're patient, The Duchess of Langeais is a ravishing experience.

My Blueberry Nights tells the story of Elizabeth, who travels across America in order to get over her ex, find herself, and maybe fall in love with Jude Law along the way.

Spurlock interviews a wide range of people from an array of socio-economic backgrounds searching not only for Bin Laden, but what these people really think of America, what gives rise to fanatics like Bin Laden, and does the average person support terrorism.

You’ve heard this story before, but what makes The Year My Parents Went on Vacation worth seeing is the unfamiliar setting: not just Brazil, but the Jewish community of Sao Paolo.

Street Kings borrows so heavily in plot, tone and pace from Training Day that comparisons are inevitable, and while Street Kings is a thrill-a-minute roller coaster of action, Ayers is not Antoine Fuqua and Reeves is not Denzel Washington.

Though unlike Téchiné’s laboring WWII drama Strayed (also with Béart), The Witnesses succeeds on its urgency, cleverly depicting a dark era of recent history with vigor and a surprising velocity.

It is fitting these artists are paired together. The world’s most important filmmaker documents the World’s Greatest Rock and Roll Band.