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The PLAYBACK:stl Archive Vault
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Home  Archive Archive
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Written by Brendan Flaherty
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Monday, 14 August 2006 |
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As an unemployed freelance spy,
I knew it was my duty to infiltrate the Euro world and assess the potential of
two million ravers in paddle boats armed with balsamic vinegar and strobe
lights, headed for Ellis Island with lust in their
loins.
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Written by Brendan Flaherty
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Wednesday, 11 October 2006 |
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 He told us the key to getting girls in Geneva, Switzerland, was to
flash the keys to a sports car. My Gremlin was impounded at the
Kremlin, and my Huffy had a flat.
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Written by Brendan Flaherty
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Saturday, 01 July 2006 |
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I had had this crazy dream that I was falling into a deep
hole I had dug to China in order to meet General Tso.
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Written by Shandy Casteel
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Wednesday, 25 January 2006 |
News from the world of music, entertainment, and the not-so-entertaining.
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Written by Shandy Casteel
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Monday, 02 January 2006 |
Babyshambles, Death Cab, and Elton John.
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Written by Shandy Casteel
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Friday, 24 February 2006 |
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Written by Shandy Casteel
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Friday, 24 March 2006 |
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Isaac Hayes, the Decemberists, Sonic Youth, and the Sex Pistols |
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Written by Shandy Casteel
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Saturday, 01 July 2006 |
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What's happening in music? What's NOT happening in music?
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Written by Shandy Casteel
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Monday, 22 May 2006 |
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Bowie, who told New York Magazine he was “fed up with the industry,” will close out the festival with a large outdoor concert. |
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Written by Shandy Casteel
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Tuesday, 25 April 2006 |
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If the dozens of songs that did make it onto the celebrated 2005 album, Illinois, just didn’t satisfy your Sufjan Stevens hunger pangs, the singer/songwriter has amassed 21 pieces of music recorded during the album’s production. |
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Written by Brendan Flaherty
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Tuesday, 23 May 2006 |
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To me, those “crimes” are just part of a daily routine. Wake up, brush teeth, break dance fight, put on pants. |
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Written by Brendan Flaherty
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Tuesday, 25 April 2006 |
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An hour later, Charles Barkley and I went to become octopi.
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Written by Angela Pancella
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Sunday, 01 January 2006 |
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I could make people think U2 would be coming in person. Playing Schlafly Tap Room. For a ten dollar admission fee. |
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Written by RIYL
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Monday, 30 January 2006 |
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The RIYL Music unweighted chart feels that every voice should be heard … and believes every voice is equal. Stations are stations. No favorites, just pure data. A #1 chart position is assigned 30 points while a #30 chart position is assigned 1 point. Once RIYL’s army of robots has calculated the chart values for each artist, they press the “sort by points” button. Voila. Power to the people! For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/ |
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Written by RIYL
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Saturday, 01 April 2006 |
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The RIYL Music unweighted chart feels that every voice should be heard … and believes every voice is equal. Stations are stations. No favorites, just pure data. A #1 chart position is assigned 30 points while a #30 chart position is assigned 1 point. Once RIYL’s army of robots has calculated the chart values for each artist, they press the “sort by points” button. Voila. Power to the people! For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/ |
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Written by RIYL
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Saturday, 01 April 2006 |
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The RIYL Music unweighted chart feels that every voice should be heard … and believes every voice is equal. Stations are stations. No favorites, just pure data. A #1 chart position is assigned 30 points while a #30 chart position is assigned 1 point. Once RIYL’s army of robots has calculated the chart values for each artist, they press the “sort by points” button. Voila. Power to the people! For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/ |
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Written by RIYL
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Tuesday, 23 May 2006 |
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The RIYL Music unweighted chart feels that every voice should be heard … and believes every voice is equal. Stations are stations. No favorites, just pure data. A #1 chart position is assigned 30 points while a #30 chart position is assigned 1 point. Once RIYL’s army of robots has calculated the chart values for each artist, they press the “sort by points” button. Voila. Power to the people! For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/ |
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Written by RIYL
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Monday, 07 August 2006 |
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The RIYL Music unweighted chart feels that every voice should be heard … and believes every voice is equal. Stations are stations. No favorites, just pure data. A #1 chart position is assigned 30 points while a #30 chart position is assigned 1 point. Once RIYL’s army of robots has calculated the chart values for each artist, they press the “sort by points” button. Voila. Power to the people!
For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/
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Written by RIYL
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Monday, 30 January 2006 |
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The RIYL Music weighted chart recognizes that some stations are simply more “influential” than others. Stations are assigned a value between 1 and 6; a #1 chart position is assigned 30 points and then multiplied by the station’s weight. For example, an artist charting #1 at a station weighted “2” is assigned 60 points, while a #1 charting at a “5” is assigned 150 points. Once RIYL’s robots have calculated the chart values for each artist, they simply sort by points. Long live the king! For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/
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Written by RIYL
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Saturday, 01 April 2006 |
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The RIYL Music weighted chart recognizes that some stations are simply more “influential” than others. Stations are assigned a value between 1 and 6; a #1 chart position is assigned 30 points and then multiplied by the station’s weight. For example, an artist charting #1 at a station weighted “2” is assigned 60 points, while a #1 charting at a “5” is assigned 150 points. Once RIYL’s robots have calculated the chart values for each artist, they simply sort by points. Long live the king! For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/
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Written by RIYL
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Saturday, 01 April 2006 |
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The RIYL Music weighted chart recognizes that some stations are simply more “influential” than others. Stations are assigned a value between 1 and 6; a #1 chart position is assigned 30 points and then multiplied by the station’s weight. For example, an artist charting #1 at a station weighted “2” is assigned 60 points, while a #1 charting at a “5” is assigned 150 points. Once RIYL’s robots have calculated the chart values for each artist, they simply sort by points. Long live the king! For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/
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Written by RIYL
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Tuesday, 23 May 2006 |
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The RIYL Music weighted chart recognizes that some stations are simply more “influential” than others. Stations are assigned a value between 1 and 6; a #1 chart position is assigned 30 points and then multiplied by the station’s weight. For example, an artist charting #1 at a station weighted “2” is assigned 60 points, while a #1 charting at a “5” is assigned 150 points. Once RIYL’s robots have calculated the chart values for each artist, they simply sort by points. Long live the king! For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/
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Written by RIYL
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Monday, 07 August 2006 |
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The RIYL Music weighted chart recognizes that some stations are simply more “influential” than others. Stations are assigned a value between 1 and 6; a #1 chart position is assigned 30 points and then multiplied by the station’s weight. For example, an artist charting #1 at a station weighted “2” is assigned 60 points, while a #1 charting at a “5” is assigned 150 points. Once RIYL’s robots have calculated the chart values for each artist, they simply sort by points. Long live the king!
For a complete rundown of the charts, visit the fine folks at RIYL: http://riylmusic.com/
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Written by Derek Lauer
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Monday, 22 May 2006 |
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At what point do the notes you play become a work of art, a piece of intellectual property that you can profit from and claim as your own? |
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