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FILM
From Paris with Love (Lionsgate, R) Print E-mail
Written by Matthew Newlin   
Friday, 05 February 2010
fromparis.jpgTravolta is fantastic as the fast-talking, fast-acting special agent who is always happy to bend the rules whenever necessary. Why Travolta feels the need to degrade himself in movies like Old Dogs and Wild Hogs is perplexing, as he is clearly more successful being a badass than anything else.
 
Police, Adjective (IFC Films, NR) Print E-mail
Written by Sarah Boslaugh   
Friday, 05 February 2010
policeadj2.jpgIn Police, Adjective, it’s an obsession with the meanings of words which culminates in a now-famous 20-minute scene near the end of the film in which the captain has Cristi read aloud dictionary definitions for terms such as “conscience,” “law” and “moral.”
 
Dear John (Sony Pictures, PG-13) Print E-mail
Written by Alice Telios   
Friday, 05 February 2010
dearjohn.jpgIn a film based around a breakup signifying an end, more meaningful threads emerge and steal the show.
 
Bad Lieutenant: Port of Call New Orleans (First Look Pictures, R) Print E-mail
Written by Pete Timmermann   
Friday, 05 February 2010
blcage.jpgHerzog’s trademarks are unmistakably clear in the film; the big one is Cage’s broad performance; pretty much any other director would have reeled him in. Good thing Herzog didn’t, because Cage carries the film; he hasn’t been this good since Adaptation.
 
The Beaches of Agnes (Cinema Guild, NR) Print E-mail
Written by Sarah Boslaugh   
Friday, 29 January 2010
beachesofagnes.jpgBut let the naïve viewer beware: The Beaches of Agnes is the opposite of a straightforward autobiographical film. It begins with a scene of Varda setting up mirrors on a beach, suggesting that she enjoys creating confusion about what is real and what is not.
 
Edge of Darkness (Warner Bros. Pictures, R) Print E-mail
Written by Matthew F. Newlin   
Friday, 29 January 2010
edgeofdarkness.jpgIn his performance, Gibson reminds the audience why he has been a movie star for 25 years. When he's onscreen your eyes can’t focus on anyone except him and the intensity he brings to each role.
 
Crazy Heart (Fox Searchlight, R) Print E-mail
Written by Sarah Boslaugh   
Wednesday, 20 January 2010

film_crazy-heart_sm.jpgFor all his faults it's impossible to dislike Blake.

 

 
Cheat You Fair (Maxwell Street Documentary, NR) Print E-mail
Written by Sarah Boslaugh   
Wednesday, 20 January 2010

cheatyourfair.jpgYou could fill a hall of fame with the blues musicians who lived in the Maxwell Street area, including Bo Diddley, Muddy Waters, Howlin' Wolf and Little Walter to name just a few. Cheat You Fair is narrated by former Chicagoan Joe Mantegna and features interviews with a wide cast of citizens from Studs Terkel to Buddy Guy to Dan Ackroyd.

 

 
The Exiles (Milestone Films, NR) Print E-mail
Written by Sarah Boslaugh   
Wednesday, 20 January 2010

dvd_exiles.jpgMuch of the film is narrated with voiceover reflecting the character's thoughts and feelings, which achieves a poetic quality absent in the spoken dialogue.

 

 
A Single Man (The Weinstein Company, R) Print E-mail
Written by Sarah Boslaugh   
Saturday, 16 January 2010
a-single-man.jpgIt's a film oddly devoid of tension -- will he or won't he is the last thing Ford is concerned with -- but is almost overwhelmingly painful to watch as it communicates the terrible grief of a man who lost his partner of 16 years and must keep his mourning, as he kept the relationship, secret.
 
The Lovely Bones (Paramount Pictures, PG-13) Print E-mail
Written by Sarah Boslaugh   
Saturday, 16 January 2010
lovely2.jpgAnd yet. The end result of all those people's talents and labors is film which is often visually striking but emotionally baffling, and ultimately seems stuck in the same sort of purgatory as its young heroine.
 
Leap Year (Universal Pictures, PG) Print E-mail
Written by Adrienne Jones   
Friday, 08 January 2010

film_leap-year_sm.gifThe problem with movies like this is that if you've seen the trailer, you've seen the whole film.

 

 
Youth in Revolt (Dimension Films, R) Print E-mail
Written by Laura Hamlett   
Friday, 08 January 2010

film_youth-in-revolt_sm.gifDirector Miguel Arteta handles the absurd story and events expertly.

 

 
The Imaginarium of Doctor Parnassus (Sony Pictures Classics, PG-13) Print E-mail
Written by Sarah Boslaugh   
Friday, 08 January 2010

film_imaginarium_sm.gifWhile the film is not entirely successful, it certainly qualifies as a glorious mess of a failure.

 

 
Broken Embraces (Sony Pictures Classics, R) Print E-mail
Written by Pete Timmermann   
Friday, 08 January 2010

film_broken-embraces_sm.gifAlmodóvar's lackluster films all have things in common.

 

 
Sherlock Holmes (Warner Bros., PG-13) Print E-mail
Written by Kevin Renick   
Wednesday, 23 December 2009

film_sherlock_sm.gifA movie can be overstuffed and frenzied but still entertaining.

 

 
It's Complicated (Universal Pictures, R) Print E-mail
Written by Laura Hamlett   
Wednesday, 23 December 2009

film_complicated_sm.gifIt's Complicated isn't really all that complicated, but it's fun.

 

 
Nine (The Weinstein Company, PG-13) Print E-mail
Written by Pete Timmermann   
Wednesday, 23 December 2009

film_nine_sm.gifIn a career-worst performance, Daniel Day-Lewis plays Guido Contini who is making a film with no plot.

 

 
The Young Victoria (Apparition, PG) Print E-mail
Written by Sarah Boslaugh   
Wednesday, 23 December 2009

film_victoria_sm.gifThere's so much to enjoy in The Young Victoria that it's worth overlooking the occasionally clunky screenplay.

 

 
Avatar (20th Century Fox, PG-13) Print E-mail
Written by Pete Timmermann   
Wednesday, 16 December 2009

film_avatar_sm.jpgAvatar resembles a commercial for a videogame. A bad one.

 

 
Me and Orson Welles (Freestyle Releasing, PG-13) Print E-mail
Written by Sarah Boslaugh   
Wednesday, 16 December 2009

film_orson.jpgLacking an interesting story to tell, the film falls back on that favorite of lazy writers everywhere: namedropping.

 

 
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