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Written by Sarah Boslaugh
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Friday, 05 February 2010 |
In Police,
Adjective, it’s an obsession with the meanings of words which culminates in
a now-famous 20-minute scene near the end of the film in which the captain has
Cristi read aloud dictionary definitions for terms such as “conscience,” “law”
and “moral.”
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Written by Alice Telios
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Friday, 05 February 2010 |
In a film based around a breakup
signifying an end, more meaningful threads emerge and steal the show.
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Written by Pete Timmermann
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Friday, 05 February 2010 |
Herzog’s trademarks are
unmistakably clear in the film; the big one is Cage’s broad performance; pretty
much any other director would have reeled him in. Good thing Herzog didn’t,
because Cage carries the film; he hasn’t been this good since Adaptation.
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Written by Sarah Boslaugh
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Friday, 29 January 2010 |
But let the naïve viewer beware: The Beaches of Agnes is the opposite of a straightforward autobiographical film. It begins with a scene of Varda setting up mirrors on a beach, suggesting that she enjoys creating confusion about what is real and what is not.
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Written by Matthew F. Newlin
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Friday, 29 January 2010 |
In his performance, Gibson reminds the audience why he has been a movie star for 25 years. When he's onscreen your eyes can’t focus on anyone except him and the intensity he brings to each role.
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Written by Sarah Boslaugh
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Wednesday, 20 January 2010 |
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For all his faults it's impossible to dislike Blake.
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Written by Sarah Boslaugh
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Wednesday, 20 January 2010 |
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You could
fill a hall of fame with the blues musicians who lived in the Maxwell
Street area, including Bo Diddley, Muddy Waters, Howlin' Wolf and
Little Walter to name just a few. Cheat You Fair is narrated by former Chicagoan Joe Mantegna and
features interviews with a wide cast of citizens from Studs Terkel to
Buddy Guy to Dan Ackroyd.
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Written by Sarah Boslaugh
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Wednesday, 20 January 2010 |
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Much of the film is narrated with voiceover reflecting the character's thoughts and feelings, which achieves a poetic quality absent in the spoken dialogue.
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Written by Sarah Boslaugh
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Saturday, 16 January 2010 |
It's a film oddly devoid of tension -- will he or won't he is the last
thing Ford is concerned with -- but is almost overwhelmingly painful to
watch as it communicates the terrible grief of a man who lost his
partner of 16 years and must keep his mourning, as he kept the
relationship, secret.
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Written by Sarah Boslaugh
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Saturday, 16 January 2010 |
And yet. The end result of all those people's talents and
labors is film which is often visually striking but emotionally
baffling, and ultimately seems stuck in the same sort of purgatory as
its young heroine.
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Written by Adrienne Jones
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Friday, 08 January 2010 |
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The problem with movies like this is that if you've seen the trailer, you've seen the whole film.
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Written by Laura Hamlett
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Friday, 08 January 2010 |
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Director Miguel Arteta handles the absurd story and events expertly.
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Written by Sarah Boslaugh
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Friday, 08 January 2010 |
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While the film is not entirely successful, it certainly qualifies as a glorious mess of a failure.
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Written by Pete Timmermann
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Friday, 08 January 2010 |
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Almodóvar's lackluster films all have things in common.
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Written by Kevin Renick
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Wednesday, 23 December 2009 |
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A movie can be overstuffed and frenzied but still entertaining.
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Written by Laura Hamlett
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Wednesday, 23 December 2009 |
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It's Complicated isn't really all that complicated, but it's fun.
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Written by Pete Timmermann
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Wednesday, 23 December 2009 |
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In a career-worst performance, Daniel Day-Lewis plays Guido Contini who is making a film with no plot.
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Written by Sarah Boslaugh
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Wednesday, 23 December 2009 |
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There's so much to enjoy in The Young Victoria that it's worth overlooking the occasionally clunky screenplay.
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Written by Pete Timmermann
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Wednesday, 16 December 2009 |
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Avatar resembles a commercial for a videogame. A bad one.
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Written by Sarah Boslaugh
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Wednesday, 16 December 2009 |
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Lacking an interesting story to tell, the film falls back on that favorite of lazy writers everywhere: namedropping.
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