Friday, 30 June 2006 18:00
Never content to stay in one place too long, Brooklyn’s Oneida have developed a well-deserved reputation for continuous experimentation.

Never content to stay in one place too long, Brooklyn’s Oneida have
developed a well-deserved reputation for continuous experimentation.
Also, for the most part, Oneida is not going to be accused of making
the same the same album twice. Since unloading their debut LP in 1997,
Oneida have followed up with a staggering six full-length releases,
along with an additional seven EPs. With Happy New Year, these
Brooklynites up the LP count to eight in the course of nine years.
Described as a testament to the ever-changing landscape of their home
base and of their own musical evolution, Happy New Year is
self-described as “a record to mark the end of an era in Brooklyn music
and to celebrate the rebirth of idealism in a harsh climate of
profiteering.” Featuring several guest musicians, including the newly
christened Oneidian Phil Manley (Fucking Champs, Trans Am), HNY picks
up in the terms of quality where 2005’s The Wedding left off. However,
this time around, Oneida presents tunes that are more cohesive in
style, resulting in a far less schizophrenic record.
Opening with the monotonous harmonization of “Distress,” Oneida quickly
shifts into their genre-defying mish mash—think psychedelic krautrock
as an approximation—with the album’s title track. However, the album
does not pick up steam until “The Adversary” and the disc’s killer
seven-minute centerpiece “Up With People.” It should come as no
surprise, especially with Manley as a guest musician, that both cuts
have an uncanny resemblance to Trans Am. After the subsequent
“History’s Great Navigators” and its subtle Middle-Eastern flavor,
HNY’s tempo slows rapidly with five rather low-key numbers. With the
exception of “You Can Never Tell,” the remainder of Happy New Year,
while not as memorable and catchy as its first half, is sturdy
nonetheless. Oneida’s new disc doesn’t quite reach the emotive
qualities of The Wedding, though it’s an excellent addition to the
band’s expansive catalog.
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