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Tuesday, 06 December 2005 04:07

Songwriter/guitarist/vocalist Chris Simpson works his pipes to dramatic effect on these 10 compositions; he’s less bombastic than Bono, more direct than Thom Yorke. On “I Was Born in Omaha,” a great, pulsing slow-rocker with a long, hypnotic fadeout, he’s focused and emotive. “Ascension Dream” features melancholy piano chords over which Simpson sounds especially Yorke-like; electronic effects take over, and there’s an eerie organ passage that sounds like time itself has stopped, leaving one with a great sense of anticipation, until “The Overpass,” a slow, stately track with another powerful vocal, continues the mood. One of the best tunes is “My Funeral Party,” a bleak-sounding title but a captivating piece featuring a recurring guitar whine that slides up a major 7th, powerful percussion, and unmistakeably Bends-era Radiohead-type vocals. “The Immovable Motorist” sounds more U2-ish as well as somewhat lighter, although Simpson tells us, “And if you don’t feel lonely/Then you can’t feel anything at all.” The elegiac “Salvation Army” begins with ambient droning and the sound of a far-off piano, with electronically processed vocals, soft percussion, and exceptionally tasteful bass playing by Jeremy Gomez combining to create a mood of detached sadness, although the tune is a sonic pleasure. The record closes with “Ambulance,” a gorgeous, mostly acoustic piece in waltz time, with an innovative production, ghostly keyboards, and an aching vocal. Its mood lingers long after you hear it.

The Gloria Record is a band full of heart, creativity, and great songwriting/arranging instincts. Fans of richly textured, memorable indie-rock who are burned out on U2 and Radiohead should Start Here for a fresh alternative. This talented group has much to offer, and will likely just continue to get better over time.